Touring Two of Cholula’s Magnificent Churches
Fans of religious architecture shouldn’t miss a visit to San Andrés Cholula, where two churches — Santa María Tonantzintla and San Francisco Acatepec — provide magnificent examples of local craftsmanship and the region’s blended Spanish-indigenous influence. Each structure is special and important in its own way, with one displaying its splendor on the inside and the other on the outside.
Santa María Tonantzintla could be one of the most enchanting places of worship ever constructed in Mexico. Located just six miles from downtown Puebla in San Andrés Cholula, the 17th-century church uniquely fuses European and native designs, a style of architecture known today as indigenous baroque. Inspired by the stunning Capilla del Rosario in the nearby city of Puebla, Tonantzintla’s architects tried to give their church a more local, realistic feel. Tonantzintla is adorned mostly with colorful plaster in place of gilded stucco.
The name Tonantzintla, which means “place of our little mother” in Nahuatl, comes from the Aztec goddess Tonantzin, the earth mother who became the equivalent of the Virgin Mary when the Spaniards conquered the pre-Hispanic world. From the outside, the church doesn’t look like much: Crude figures of St. Peter, St. Paul, and the Virgin Mary greet visitors from their perch atop an austere facade (see photo, at right above). But its magnificence quickly becomes apparent inside. The walls are completely covered with ornate plaster molds and models, which are colorfully painted or coated with gold. It’s an explosion of shapes, symbols, and meanings. And, although the figures and faces are rough, childlike, and less elegant than those typically found in other Baroque churches in México, they are equally breathtaking.
“The church of Santa María Tonantzintla is a required visit for anyone who wants to enjoy a spiritual atmosphere that’s ‘out of this world,’” notes architect Ignacio Cabral in his book, Religious Architecture in San Andrés Cholula, Puebla. “The fruits, flowers, children, faces, masks, birds, figures of saints and more together form an extraordinary mosaic — a frank ‘horror vacui,’ or fear of empty space — that is so typical of the Baroque style and here is interpreted in an indigenous fashion.”
What merits the most attention, Cabral continues, is Tonantzintla’s dome, which is like no other in Mexico. “It’s a ‘celestial vision’ of the indigenous world as they imagined it and captured it with their own hands … a magnificent example of the union of Mexican and European [cultures] and of the syncretism between Christianity and the indigenous worldview.”
The church operates autonomously from the Archdiocese of Puebla and is supported and promoted by the community. Signs in the church forbid tourists from taking any photographs inside, with or without flash, to preserve the paint’s colors (they make exceptions during weddings, which is how we got our shots). Post cards may be purchased at the entrance; the money collected goes toward maintenance efforts.
Less than a mile from Tonantzintla, San Francisco Acatepec offers one of the finest examples of viceregal architecture and Baroque talavera in Mexico. Upon arrival at Acatepec, the first thing visitors notice is its beautiful facade, which is entirely covered by locally produced ceramic tiles. The handcrafted pieces are so intricately painted that they appear to change colors with the weather: When the sun shines, the reddish hues catch fire; when it’s cloudy, the cobalt blue tones seem to complement the gray sky. The vivid details and ornamentation are characteristic of Puebla’s trademark pottery, a centuries-old traditional art that continues today. “The magnificence of the façade is such that it looks like a porcelain temple, worth being kept under glass,” renowned Colonial art historian Don Manuel Toussaint once noted.
The church — built during the same era Tonantzintla — is named after its original village, Acatepec, which means “hill of reeds” in Nahuatl, and the patron saint of the new church, St. Francis. Sadly, on December 31, 1939, a fire destroyed its original interior, which featured carved cedar altars and gold-covered stucco details.
Some 15 years before the disaster, an engineer named Alberto Pani made a series of books called Churches of Mexico, which depicted 17th- and 18th-century churches to demonstrate the architectural richness of the country. To present them in the best way possible, he worked with one of the nation’s top photographers, Guillermo Kahlo. (If the last name sounds familiar, it’s because he was Frida’s father. Yes, that Frida!) Based on these pictures, the interior of San Francisco Acatepec was largely reconstructed in 1941, and, although it is nowhere as complete as the original, it’s still stunning — and well worth checking out. —Vica Amuchastegui
Both churches are accessible by taxi and bus, including the Cholula Tranvia, which departs from the zócalo of Puebla at 11 a.m., Tuesday through Sunday. (Adult tickets: 100 pesos.) The churches are open to the public every day from 10 a.m. to 1 p.m. and from 3 p.m. to 5 p.m.
Post updated November 6, 2013.
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