Archive for September, 2012|
Friday, September 28th, 2012
“Through art and culture, the Complejo Cultural Universitario provides a stage on which we’re able to demonstrate how modern the state of Puebla and the nation of Mexico are and offer a benchmark of modernity in the world,” Enrique Agüera Ibáñez told Alianzatex.com at a recent art opening. Agüera is rector of the Benemerita Universidad Autónoma de Puebla, the state’s oldest and largest public university, and the man ultimately responsible for the auxiliary campus’s construction.
If establishing a “benchmark of modernity” sounds like a tall order, it is. But since its grand opening in 2008, the cultural complex has hosted scores of world-class events, such as the Ciudad de la Ideas conference, concerts by international pop stars (from Enrique Iglesias to Morrissey), major art exhibitions, and live broadcasts of the New York Metropolitan Opera. It’s also mounted diverse national and regional fairs, festivals, and competitions celebrating literature, theater, music, arts and crafts, major holidays, and more. Add to that folkloric dance performances, movie screenings, hands-on workshops for adults and children, a well-stocked bookstore, and several restaurants with valet parking and, at the very least, Agüera seems to be putting his money where his mouth is.
“It’s important to note that, from Río Bravo to Patagonia, no other facility like the Complejo Cultural Universitario exists with the concept of integrating several areas dedicated to art, culture, and academics—much less one created by a public university, as is our case,” the university boasts on its website. To create the space, the BUAP invested some $69 million USD in the 945,900-square-foot facility, sourcing all of its materials in Puebla and creating some 3,000 jobs in the process, the online newspaper Periódico Digital reports.
Although the complex’s architectural design is decidedly minimalistic — its stark white exterior resembles a blank canvas — its devotion the liberal arts and regional culture is anything but. Beyond curating scores of events every month, what truly sets the institution apart from the rest is that many of its festivals, exhibitions, and other activities are free and open to the public, including students, residents, and tourists. The only drawback: You’ll pay about 100 pesos to get there from the historic center of Puebla in a taxi, or you’ll need to figure out how to get there by bus.
What’s On at the CCU BUAP
Here are a half dozen notable events (three of which are free) currently scheduled at the Complejo Cultural Universitario, which is located at Vía Atlixcáyotl #2499 in Zona Angelopolis. For a complete list of activities, visit its website. For other events happening in Puebla, check out our events calendar.
Today through Oct. 21 Renown Zapotec painter and sculptor Alejandro Santiago pays tribute to women of the world in this mixed-media exhibition of 21 works on display in the Galería de Arte, 10 a.m. to 7 p.m. daily. Free.
Oct. 20-27: 1er Festival Angelopolitano de Danza 2012, the first such conference organized by the CCU BUAP’s Contemporary Dance Company, includes lectures, roundtable discussions, a choreography competition, dance presentations, and more. All day. Free.
Nov. 8-10 Ciudad de las Ideas 2012, a TED-like conference of brilliant minds takes place in the Auditorio, 10 a.m. to 7 p.m. daily. Speakers to include Craig Venter and John Underkoffler. Tickets cost 4,300 pesos, available from the organizers.
—Rebecca Smith Hurd
Wednesday, September 5th, 2012
Fernando Botero is one of the most important artists in Latin America, perhaps best recognized for his bronze sculptures and painting of plump people, animals, and other figures. To celebrate his 80th birthday this spring, the Palace of Fine Arts in Mexico City held a major exhibition of 177 pieces representing various periods of his career. In June, shortly after the close of the show, one of its large-scale sculptures, “The Horse,” was installed in the city of Puebla. It’s on display indefinitely at El Triangulo mall at the corner of Circuito Juan Pablo II and Boulevard Atlixco in Colonia Las Animas.
A sculptor, painter, muralist, and illustrator, Botero was born in Medellin, Colombia, in 1932 and has been part of the world art scene for more than 45 years. Botero typically represents universal themes in a figurative way: His work is widely recognized by its exaggerated and disproportionate volumes. Just as Flemish artist Peter Paul Rubens idealized female beauty as a full-figured woman during the Baroque period, which gave rise to the term “Rubenesque,” the women known as “Las Gordas de Botero” (Botero’s Fat Ladies), as they are affectionately called in Spanish, are the maximum expression of “Boterismo.”
“Boterismo” is tough to classify, but it’s generally considered to be part of the Naïve movement, due to the artist’s simple technique and the use of many colors (in his paintings). However, one of the characteristics of Naïve Art — the impression of simplicity — cannot be applied to Botero, because some of his works deal with contemporary or painful issues, such as politics, death, and personal vices, albeit in a satirical and ironic way. For a long time, the Naïve style was considered childish and was not recognized as art, but more recently artists like Botero, Henri Rousseau, Grandma Moses, and Alfred Wallis have become appreciated for their refreshing worldviews.
Today, Fernando Botero has a major influence and presence in Mexico. In addition to “The Horse” sculpture on display in Puebla, other works can be seen at the Museo Soumaya in Mexico City and the Esplanade of Heroes in Monterrey.
This is not the first time a large public art sculpture has toured Puebla: A dozen larger-than-life works by beloved and celebrated Mexican artist Juan Soriano, adorned the zócalo as part of a national tour of his work in 2006; he died that same year. Meanwhile, permanent monumental sculptures include “El Hombre Azul,” by Bolivian artist (and Puebla resident) José Miguel Bayro in Paseo de San Francisco, and “The Guardian Angel,” by Mexican artist Sebastián, which since its installation in 2003 has become a landmark of the city.
El Triangulo, located at 35 Poniente #3515 in Colonia Las Animas, is open from seven days a week from 11 a.m. to 9 p.m. To get there from downtown, take bus route 72-A on Boulevard 5 de Mayo (from the Cathedral side of the street, or opposite the Convention Center).